- The Musty Creative
- Posts
- Apple TV's Rise to Prominence: Quality Programming in the Streaming Wars
Apple TV's Rise to Prominence: Quality Programming in the Streaming Wars
The fledgling service from the Apple bros is finally competing with Netflix

When Apple TV+ was first announced at WWDC in March 2019, Tim Cook surprised the crowd by bringing out none other than Steven Spielberg to endorse the new platform. It wasn’t the announcement of a streaming service that shocked anyone because we had already seen Apple dive into original content with “Planet of the Apps” and “Carpool Karaoke”—but it was the who that made this moment stand out. Spielberg, Oprah Winfrey, J.J. Abrams, and Reese Witherspoon weren’t just endorsing a product. They were launching projects. It was clear that Apple wasn’t just trying to enter the streaming market; they were trying to define it.

The streaming entertainment landscape has undergone significant transformation since Netflix pioneered the subscription video-on-demand model. As traditional media conglomerates and technology companies entered the arena, the competition intensified, creating what industry analysts now refer to as the "streaming wars." Among these competitors, Apple TV+ has emerged with a distinct approach that prioritizes prestige programming over expansive content libraries.
Back then, people were skeptical. Apple, the tech company known for sleek hardware and closed ecosystems, wasn’t seen as a serious player in the world of storytelling. But seven years later, Apple TV+ has grown into something genuinely compelling. The once-fledgling service is now standing shoulder to shoulder with Netflix, Disney+, and Max, delivering prestige content with the polish and consistency of a premium studio.
Apple TV+ made history when "CODA" (2021) became the first film from a streaming service to win the Academy Award for Best Picture.
Apple TV+ launched on November 1, 2019, with a deliberately curated selection of original programming. Unlike competitors with vast back catalogs of licensed content, Apple made the bold decision to rely exclusively on new, original productions. This approach reflected the company's broader philosophy of controlled quality over market saturation, a strategy consistent with its hardware and software development practices.
Apple TV+ made history when "CODA" (2021) became the first film from a streaming service to win the Academy Award for Best Picture. This milestone represented more than just recognition for a single production; it validated Apple's approach to content development and acquisition. "CODA," with its heartfelt story of a hearing child in a deaf family, exemplified the type of thoughtful, inclusive storytelling that has become emblematic of Apple's content portfolio.
Similarly, the animated feature "Wolfwalkers" (2020) garnered an Oscar nomination, further cementing Apple's reputation for supporting distinctive, artistically ambitious projects that might not find backing in more traditional production environments.

The television offerings on Apple TV+ have been equally impressive in their scope and quality. "Ted Lasso," the comedy series about an American football coach managing an English soccer team, became a cultural phenomenon during the pandemic, winning multiple Emmy Awards and developing a dedicated fanbase that transcended typical genre expectations.
"Mythic Quest," a workplace comedy set in a video game development studio, demonstrated Apple's willingness to explore niche subjects while maintaining broad appeal through character-driven storytelling. Mythic Quest coming from the mind of Robert McElhenney (“It’s Always Sunny in Philadelphia”) has just completed an amazing fourth season which in my opinion saw the show really hit home on some of it’s earliest themes from the first season. I hope that Apple unlike Netflix allows the creative team to finish the story of main characters Ian and Poppy Lee in a fifth season.

But where Apple TV+ has truly carved out its legacy is with Severance, one of the most compelling shows of the last decade. At first glance, the concept of surgically dividing work and personal memories sounds like the pitch for a cerebral sci-fi miniseries. But Severance, created by Dan Erickson and directed with meticulous unease by Ben Stiller, takes that premise and spins a deeply emotional and philosophically rich narrative. The first season introduced us to the eerie world of Lumon Industries, focusing on Helly R. as our entry point. But as the episodes unfold, it becomes clear that the heart of the story belongs to Mark S., a man shattered by grief and unknowingly searching for his lost wife.
"Severance" represents perhaps the most significant achievement in Apple TV+'s content strategy to date. The series, which explores a dystopian corporate environment where employees undergo a procedure to separate their work and personal memories, has garnered widespread critical acclaim for its innovative premise, meticulous production design, and exceptional performances.
The show's first season introduced viewers to the concept of the "severed floor" through the perspective of new employee Helly R. However, as the narrative developed, it became clear that Mark S.'s journey to discover the truth about his wife was the central story thread. This narrative complexity and willingness to subvert audience expectations demonstrates the creative freedom Apple affords its creators.

The conclusion of the second season, which culminated in Mark and Gemma's reunion, represents a significant story beat that has positioned the series for continued exploration of its rich thematic material. This long-form storytelling approach indicates Apple's willingness to invest in narratives that develop over multiple seasons, rather than pursuing more immediately gratifying but less substantial content.
"Severance" is distinguished by its distinctive visual aesthetic, which employs stark minimalism and careful composition to create an environment that is simultaneously familiar and disorienting. This visual approach serves the thematic exploration of work-life separation and corporate control, demonstrating how formal elements can enhance narrative content.
The series also benefits from exceptional performances by its ensemble cast, including Adam Scott, Patricia Arquette, John Turturro, and Christopher Walken. The caliber of talent involved speaks to Apple's ability to attract established actors to its productions, further elevating the perceived quality of its content.
"Severance" has achieved what few streaming shows manage: sustained critical acclaim coupled with growing cultural relevance. The show has inspired extensive analysis and discussion among viewers, critics, and academics, examining its commentary on corporate culture, work-life balance, identity, and memory.
By producing content of this caliber, Apple TV+ has positioned itself alongside HBO (now Max) as a provider of premium television, moving beyond mere entertainment to create works with artistic and cultural significance.
Each major streaming service has developed signature programming that defines its brand identity: Netflix has "Stranger Things," Disney+ has "The Mandalorian," Max has "The Last of Us," and Amazon Prime has "The Boys." Apple TV+'s signature shows, particularly "Severance," have established the service as a purveyor of thoughtful, high-quality content that rivals the prestige programming traditionally associated with HBO.
While Netflix emphasizes content volume, releasing hundreds of original titles annually across numerous genres, Apple TV+ has maintained a more selective approach. This strategy allows for greater investment in individual productions and more careful development of creative projects.
The Studio is already the hit show of this spring.
The recent release of "The Studio," created by Seth Rogen, demonstrates Apple's continuing commitment to this approach. The Studio is already the hit show of this spring. With a frenetic pace and camera perspective that immerses you in every episode, you will find yourself rooting for and hating Continental’s newest studio head. By spacing out major releases throughout the year, Apple maintains subscriber engagement without overwhelming audiences with excess content.

Apple's deep financial resources have allowed it to make significant investments in original programming without the immediate pressure for subscriber growth that affects many competitors. This financial flexibility supports the company's long-term vision for building a library of distinctive, high-quality content rather than rapidly expanding its catalog with lower-budget productions.
Conclusion
Apple TV+ has evolved from an uncertain entrant in the streaming market to a significant player defined by its commitment to premium content. Through strategic talent relationships, focused investment in distinctive programming, and patience in building its brand identity, Apple has established itself as a service capable of producing some of the most critically acclaimed content in contemporary television and film.
Shows like "Severance," "Ted Lasso," and "Mythic Quest," along with films such as "CODA" and "Wolfwalkers," demonstrate that Apple's approach prioritizing quality over quantity has yielded significant creative dividends. While the service may not compete with Netflix in terms of content volume, it has positioned itself as a purveyor of prestige entertainment more comparable to HBO's traditional role in the television landscape.
As the streaming market continues to evolve, Apple TV+'s success illustrates that distinctive, high-quality programming can create substantial value even without the extensive content libraries of legacy media companies. The service's trajectory suggests that maintaining this focus on premium content development, rather than simply expanding its catalog, will continue to define Apple's role in the future of digital entertainment.
Written by Jesús Noland
The portfolio that's automatically up to date with your work.
Authory saves you hours with a portfolio that's always up to date.
Get backups of all your articles.
Be ready to impress potential clients and employers, anytime.